| Classical music is a term with three distinct | | | | the year 476, the approximate time of the |
| meanings: | | | | fall of the Roman Empire. Most of the extant |
| | | | music from this period is from ancient |
| The European tradition of music which is | | | | Greece. |
| associated with high culture, as distinct | | | | |
| from popular or folk forms (including works | | | | Medieval, generally before 1450. Monophonic |
| in this tradition in non-European countries). | | | | chant, also called plainsong or Gregorian |
| | | | Chant, was the dominant form until about |
| | | | 1100. Polyphonic (multivoiced) music |
| That tradition as well as similar | | | | developed from monophonic chant throughout |
| non-European traditions. | | | | the late Middle Ages and into the |
| | | | Renaissance. |
| A particular stage in the development of the | | | | |
| European art music tradition, centered in the | | | | Renaissance, about 1450-1600, characterized |
| late 18th century. | | | | by greater use of instrumentation, multiple |
| | | | melodic lines and by the use of the first |
| This article discusses classical music in the | | | | bass instruments. |
| first sense. For the second, see List of | | | | |
| classical music styles. For the third, see | | | | Baroque, about 1600-1750, characterized by |
| Classical period (music). | | | | the use of complex tonal, rather than modal, |
| | | | counterpoint, and growing popularity of |
| Classical music is a broad, somewhat | | | | keyboard music (harpsichord and pipe organ). |
| imprecise term, referring to music produced | | | | |
| in, or rooted in the traditions of, Western | | | | Classical, about 1750-1820, an important era |
| art, ecclesiastical and concert music, | | | | which established many of the norms of |
| encompassing a broad period from roughly 1000 | | | | composition, presentation and style. Also, |
| to the present day. The central norms of this | | | | the classical era is marked by the |
| tradition developed throughout this period | | | | disappearance of the harpsichord and the |
| but reached their heights of complexity and | | | | clavichord in favour of the piano, which from |
| development in the period between 1550 and | | | | then on would become the predominant |
| 1900: what is known as the common practice | | | | instrument for keyboard performance and |
| period. | | | | composition. |
| | | | |
| This music evokes classical traditions, | | | | Romantic, 1820-1901 a period which codified |
| focuses on formal styles, invites technical | | | | practice, expanded the role of music in |
| and detailed deconstruction and criticism, | | | | cultural life and created institutions for |
| and demands focused attention from the | | | | the teaching, performance and preservation of |
| listener. It is written down using a formal | | | | works of music. Characterized by increased |
| notation and a work of classical music is | | | | attention to melody and rhythm. |
| usually defined by the notated version, | | | | |
| rather than a particular performance of it. | | | | Modern, 1905-1985 a period which represented |
| This music is associated with, and often | | | | a crisis in the values of classical music and |
| compared to, fine art and high culture, | | | | its role within intellectual life, and the |
| sometimes leading to accusations of | | | | extension of theory and technique. Some |
| haughtiness and exclusivity being leveled at | | | | theorists, such as Arnold Schoenberg in his |
| its enthusiasts. Nevertheless, many | | | | essay "Brahms the Progressive," insist that |
| "classical" pieces were the popular music of | | | | Modernism represents a logical progression |
| their time, and have remained popular to this | | | | from 19th century trends in composition; |
| day. The public taste for and appreciation of | | | | others hold the opposing point of view, that |
| formal music of this type is often described | | | | Modernism represents the rejection or |
| as having waned through the later part of the | | | | negation of the method of Classical |
| 20th century and into the present millennium, | | | | composition. |
| particularly in the USA and UK, although it | | | | |
| continues to thrive elsewhere in the world. | | | | 20th century, usually used to describe the |
| Certainly, this period has seen classical | | | | wide variety of post-Romantic styles composed |
| music falling well behind the immense | | | | through the year 1999, which includes late |
| commercial success of popular music. | | | | Romantic, Modern and Post-Modern styles of |
| | | | composition. |
| The term classical music did not appear until | | | | |
| the early 19th century, in an attempt to | | | | The term contemporary music is sometimes used |
| "canonize" the period from Bach to Beethoven | | | | to describe music composed in the late 20th |
| as an era in music parallel to the golden age | | | | century through present day. |
| of sculpture, architecture and art of | | | | |
| classical antiquity (from which no music has | | | | The prefix neo is usually used to describe a |
| directly survived). The earliest reference to | | | | 20th Century or Contemporary composition |
| "classical music" recorded by the Oxford | | | | written in the style of an earlier period, |
| English Dictionary is from about 1836. Since | | | | such as classical, romantic, or modern. So |
| that time the term has come in common | | | | for example, Prokofiev's Classical Symphony |
| parlance to mean the opposite of popular | | | | is considered a Neo-Classical composition. |
| music. | | | | |
| | | | The dates are generalizations, since the |
| Timeline | | | | periods overlapped. Some authorities |
| | | | subdivide the periods further by date or |
| According to one school of thought, musical | | | | style. However, it should be noted that these |
| works are best understood in the context of | | | | categories are to an extent arbitrary; the |
| their place in musical history; for adherents | | | | use of counterpoint and fugue, which is |
| to this approach, this is essential to full | | | | considered characteristic of the Baroque era, |
| enjoyment of these works. There is a widely | | | | was continued by Mozart, who is generally |
| accepted system of dividing the history of | | | | classified as typical of the Classical |
| classical music composition into stylistic | | | | period, by Beethoven who is often described |
| periods. According to this system, the major | | | | as straddling the Classical and Romantic |
| time divisions are: | | | | periods, and Brahms, who is often classified |
| | | | as Romantic. |
| Ancient music - the music generally before | | | | |