| Gospel music may refer to the religious | | | | province of Quebec, Canada, where |
| music that first came out of | | | | important gospel choirs such as Montreal |
| African-American churches in the first | | | | Jubilation Gospel Choir and Quabec |
| quarter of the twentieth century or, | | | | Celebration Gospel Choir are famous. |
| more loosely, to both black gospel music | | | | Black gospel |
| and to the religious music composed and | | | | The music popularized by Black gospel |
| sung by predominately white Southern | | | | pioneers had its roots in the |
| Gospel artists. While the separation | | | | freewheeling forms of religious devotion |
| between the two styles was never | | | | of 'Sanctified' or 'Holiness' churches, |
| absolute "both drew from the Methodist | | | | who encouraged individual church members |
| hymnal and artists in one tradition | | | | to 'testify', speaking or singing |
| sometimes sang songs belonging to the | | | | spontaneously about their faith and |
| other" the sharp division between black | | | | experience, sometimes while dancing in |
| and white America, particularly black | | | | celebration. In the 1920s Sanctified |
| and white churches, kept the two apart. | | | | artists, such as Arizona Dranes, many of |
| While those divisions have lessened | | | | whom were also traveling preachers, |
| slightly in the past fifty years, the | | | | started making records in a style that |
| two traditions are still distinct. | | | | melded traditional religious themes with |
| In both traditions, some performers, | | | | barrelhouse, blues and boogie-woogie |
| such as Mahalia Jackson have limited | | | | techniques and brought jazz instruments, |
| themselves to appearing in religious | | | | such as drums and horns, into the |
| contexts only, while others, such as | | | | church. |
| Sister Rosetta Tharpe, the Golden Gate | | | | White gospel |
| Quartet and Clara Ward, have performed | | | | Often called Southern gospel or Country |
| gospel music in secular settings, even | | | | gospel to distinguish it from black |
| night clubs. Many performers, such as | | | | gospel, white gospel music has followed |
| The Jordanaires, The Blackwood Brothers, | | | | a different trajectory during the past |
| Al Green, and Solomon Burke have | | | | eighty years. Some of its roots are |
| performed both secular and religious | | | | found in the publishing work and "normal |
| music. It is common for such performers | | | | schools" of Aldine S. Kieffer and |
| to include gospel songs in otherwise | | | | Ephraim Ruebush. It was promoted by |
| secular performances, although the | | | | traveling singing school teachers, |
| opposite almost never happens. | | | | southern gospel quartets, and shape note |
| Gospel singer, songwriter, guitarist | | | | music publishing companies such as the |
| Sister Rosetta Tharpe was the first | | | | A. J. Showalter Company (1879), the |
| great star of Gospel music, surfacing on | | | | James D. Vaughan Publishing Company and |
| the pop music charts in 1938. She | | | | the Stamps-Baxter Music and Printing |
| remained popular through the 1940s, | | | | Company. |
| continuing to hit the charts and drawing | | | | Some early country gospel artists, such |
| tens of thousands of fans to see her | | | | as The Carter Family, achieved wide |
| perform live in venues across the United | | | | popularity through their recordings and |
| States. She lost the support of some of | | | | radio performances in the 1920s and |
| her church fans, now and then, when she | | | | 1930s. Others, such as Homer Rodeheaver, |
| performed in secular venues as well, as | | | | George Beverly Shea or Cliff Barrows, |
| when she recorded songs not recognized | | | | became well-known through their |
| as 'Christian'. The fans she lost were | | | | association with traveling evangelists |
| somewhat forgiving, as she remained true | | | | such as Billy Sunday or Billy Graham. |
| to her faith, for the most part, | | | | Associations |
| throughout her recording career which | | | | Gospel Music Association |
| spanned the remainder of her life. | | | | The Gospel Music Association is a major |
| Although predominantly an American | | | | group of gospel artists who maintain a |
| phenomenon, gospel music has spread | | | | hall of fame covering all aspects of |
| throughout the world including to | | | | gospel music. |
| Australia with choirs such as The | | | | Southern Gospel Music Association |
| Elementals and Jonah & The Whalers and | | | | The Southern Gospel Music Association |
| festivals such as the Australian Gospel | | | | (SGMA) focuses on Southern Gospel |
| Music Festival. Norway is home to the | | | | specifically and has a physical Southern |
| popular Oslo Gospel Choir and most | | | | Gospel Museum and Hall of Fame located |
| importantly The Ansgar Gospel Choir. | | | | in the Dollywood theme park at Pigeon |
| Gospel is also really popular in the | | | | Forge, TN. |